Correct replay equalisation is only obtained with correct source and load impedances suggesting 'perfect' amplifiers are required either side of the networks ~ However the voltage driven network can incorporate a resistive source Rs if R3 is reduced by Rs and any resistive load RL across the output will appear in parallel with Rs+R3 so R3 can be increased to accommodate RL
An adjustment of R3 alone can correct for Rs and RL and is often required in practice ~ After obtaining values for R4 C3 and C4 from your chosen R3 you can select a close standard value for C3 or C4 or maybe both rather than making non standard Cs ~ The default values here are more than accurate enough when R3 is adjusted for Rs and RL
The 2 terminal or current driven networks are often used in negative feedback loops and have been for many years long before transistors and op-amps because when driven from a lowish output impedance and terminated into a resistive load RL the current through the network has an inverse RIAA or RIAA record characteristic
The rising current with with frequency develops a voltage across RL which could be a cathode [or emitter] load or part of an op-amp feedback loop and reduces the gain of the amplifier in accordance with the RIAA or BS1928 ~ Depending on the quality of the amplifier and the feedback topology used you may get acceptable playback of vinyl records
I refer to the 2 terminal networks as current driven because that is how I often use them ~ Not in a feedback loop around a voltage amplifier but as the output load of a Transconductance amplifier which may be the collector of a transistor with un-bypassed emitter resistor or the anode circuit of Cascode or Pentode where the current develops the equalised output voltage across the network As shown here ΐ